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Baker Country
Sitting shotgun
in a beat-up Ford pickup, I’m wondering if I’ve dressed appropriately.
I’m wearing a flannel shirt, jeans and a pair of boots. I’ve made a
point this morning of leaving my sandals and synthetic-fiber fleece at
home.
It’s April 19, 2000, and the newspaper’s
photographer and I are making a pilgrimage to the East Fork of the
Salmon River Valley to talk with ranchers about wolves that have been
slaying cattle on their spreads. We’ve paid attention to what we’re
wearing because we want to give a good first impression. That is, we
don’t want to look like we’re from Sun Valley. We don’t want to look
like ourselves.
We drift through Stanley at the north end of the
Sawtooth Valley and twist into the Salmon River canyon, passing places
like Indian Riffle and Torrey’s Hole where chinook salmon return from
the Pacific Ocean to spawn each fall. Clusters of red willow stems
flush with spring sap nestle along the riverbank. There’s spotty snow
in the trees, crowded stands of lodgepole pine that give way to Douglas
fir as we descend. A herd of elk browse in a sunny meadow across the
river, a bald eagle is perched in a riverside snag.
The canyon walls are steep, the mountains concealing
most of the sky from view, and as we continue to descend the timber
gives way to big angled sweeps of pastel-colored rock and sagebrush.
After some miles of serpentine meanders the truck drifts into the
diminutive riverside hamlet of Clayton, where a mule deer scampers
across the empty highway.
After passing through Clayton the canyon walls begin
to yawn, revealing the true depth and expanse of the great Western sky.
We cross a bridge and turn south onto a narrow strip of asphalt.
Irrigated fields line the road, and cows browse in the grass.
Sagebrush-covered hills rise from the valley. The sun is crawling
toward mid-morning.
After a half-hour we arrive at a roadside ranch
house. Easing into the driveway the truck comes to rest. A flannel-clad
man rumbles up on a four-wheeler. “I’m Eddie Junior,” he says. “Don’t
ever call my dad again. He’s old and doesn’t need bothered with this
stuff.”
Gray wolves were deposited in Idaho in 1997 and 1998
as part of a federal reintroduction program that also reintroduced the
native predators to Yellowstone National Park, and they've flourished.
It’s clear that Eddie Baker Junior and his father, Eddie Baker, aren’t
thrilled.
We walk into the nine-hundred-acre ranch behind the
house and arrive at the edge of the East Fork of the Salmon River,
which is small and trickling. Junior points across the stream and
describes an encounter from the previous winter. He’d been riding
horseback and performing a routine check on some of the ranch’s two
hundred and fifty cattle. As he sauntered through the snow among
bawling cows and steers a gnawed piece of meat became apparent. One of
his cows.
“I looked right across the river, and I saw the
wolves was there,” he says. “Big wolves. Pretty to look at.”
But not for a rancher scrambling to protect his
herd. Junior is a fifth generation East Fork cattle rancher, and he
doesn’t want to let the only way of life he knows to slip through his
fingers. Federally protected wolves, among a myriad of additional
outside pressures, are a threat to that way of life.
“I’ve got a boy in sixth grade,” he says. “And
there’s no future in this for him. The market’s tough enough, but it’s
all these outside restrictions: range rights, water, government
restrictions and environmentalists. The banker is the least of the
restrictions.”
In the name of clean water, clean land and clean air
the government is pushing ranchers off the land. Junior compares wolves
to salmon and bull trout, which along with wolves are also listed as
endangered species. “They’re a lever to get cattle off the land,” he
says. “This has been cow country for years and years. I’d like to keep
running cattle in the hills. We’re just doing our job, and we’ve got
every environmentalist in the Northwest finding something wrong out
here.”
Later, the beat-up Ford rumbles back into Clayton
where we continue to uncover discontent.
“All our lives we visualize the West and cowboys,
and then we turn around and try to do away with it,” says Steve Wright,
who owns an antique store with his wife. They moved here from New York
five years ago. “What we came here to be a part of is being taken away
from us.”
Across the highway is the Rocky Ridge Café
and another distressed Clayton resident.
“It’s really aggravating,” says clerk Julie Faust.
“We shouldn’t have to put up with this. Who are they to tell us how we
should live in our own backyards? There’s a reason why we got rid of
wolves in the first place. Humans and wolves don’t mix. It’s not right
that people should lose some of their living for a wild animal to gain.”
A cartoon hangs on a bulletin board near the Rocky
Ridge Café’s entrance. It’s barely visible over Faust’s
shoulder. It depicts a woman burying a wheelbarrow full of dead wolves.
“Transplanting wolves,” it reads.
In the massive expanse of the American West, many a
stereotype holds true. The people are as rugged as the tumbling
mountains and rivers. The livings they carve are as difficult as the
arid climate that shapes their lives. The culture is a stew of
frontier-bred attitudes blended with the economic realities of an
increasingly global society. It’s a culture mixed in the cauldron of a
landscape. The land, in short, has shaped its inhabitants, and those
inhabitants have shaped the land.
Along the meandering goosenecks of the Salmon River
between the towns of Challis and Stanley, there’s a remote mountain
valley not often visited by people who don’t live there. Just east of
the tiny hamlet of Clayton, the East Fork of the Salmon River joins her
larger sibling, the main Salmon River. The confluence is a threshold
few people have crossed. It is remote country, and it’s serviced by
country that’s in the middle of nowhwere already.
Following the East Fork upstream, the lowland
sagebrush hills and riverside meadows gradually transform into rugged,
conifer-covered ridges. To the east, more than 200,000 acres of
lowland, road-free ridges spread to the horizon. To the west, the
towering White Cloud Mountains scrape the unmistakable blue of the
great western sky. Farther south, the 11,000-foot crags of the Boulder
Mountains create a divide between this rural, agrarian place and the
wealthy resort kingdom of Sun Valley, a world-renowned ski resort and
home to some of wealthiest people in the American West.
The name Baker is synonymous with the East Fork of
the Salmon River Valley. The East Fork, which once teemed with
thousands of spawning chinook salmon each summer, was settled by Bakers
and molded by Bakers. The signature of the Bakers is indelible. It is
part of the place’s past and present. The upper valley is threaded by
Baker Creek. Baker Peak stands sentinel over the eastern foothills.
Three ranches on the valley floor are owned by Bakers. The descendants
of the original Bakers live there still and run cattle in the
surrounding mountains, where their families have ranched for more than
a century. In the spring, black angus and herefords speckle the lowland
meadows surrounding the gently tumbling river, and the solitude of an
early-morning mist is broken only by the bawling of calves or the howl
of an unwelcome wolf.
“My husband’s family, my brother-in-law and his
father know every inch of this country,” says Melodie Baker, a former
Custer County Commissioner and 20-year East Fork rancher. “We love it.
We care for it. We want to see it continue in the same kind of
operation, the same way of life, and the style that it has always been
. . . It’s about the way we should be raising our kids and everything.
That’s what makes this place so special.”
As the eagle flies, Sun Valley and the prosperous
communities surrounding it are 60 miles to the south, but they might as
well be 500 miles away. The Big Wood River threads the Wood River
Valley and drains the southern and western flanks of the Boulder
Mountains. The area has roots in mining and agriculture, but it was
white gold that precipitated the metamorphosis of the place in 1936
when Averill Harriman, the Union Pacific Railroad tycoon, built the
nation’s first destination ski resort. Sun Valley became a magnet for
the rich and famous, and through the ensuing seventy years, became an
enclave for some of the nation’s wealthiest people.
Blaine County, Sun Valley’s home county, is more
than wealthy. It is also the most liberal of Idaho’s jurisdictions.
Custer County, home to Clayton and the East Fork, is one of the state’s
most conservative. If Custer County is hard, Blaine County is soft. If
Custer County is tall, Blaine County is short. The only thing
connecting them, indeed the only thing dividing them, is an expanse of
towering mountains. The Boulder and White Cloud mountains have become a
figurative war zone, a place where cultures and values collide. For
more than three decades, conflict has dominated, and attempts at
resolution have failed.
Melodie Baker’s children are the sixth generation of
the Baker family to ranch on the East Fork. It’s a place that’s got a
certain kind of soul that’s hard to find elsewhere.
“I was here long enough to realize that there’s so
much more here than just the people and hard work: what I call a
barn-raising type of atmosphere. Everybody helps everybody out. They
will drop everything at a moment’s notice. You have fun times in here
when you’re branding cattle. All the neighbors bring food, get together
and help each other—same thing with shipping. I really appreciated
that. I liked the fact that you felt quite safe here. There are
problems like there are everywhere, but it’s on a smaller scale.
Families are close. Friends are close. This is a great place to have
family and raise kids.”
Melodie Baker believes that the various parties with
stakes in the nearby Boulder-White Clouds can work together to make
things work. Like the barn-raising atmosphere the ranchers in the East
Fork embrace, cooperation and commitment can go a long way.
“There is enough country up here. There are places
that you can’t take motorized vehicles, and there’s places that you
can’t get a horse up into. But there are places that you can, and you
should be able to. We have friends that, for health reasons, can’t walk
into that country. Why should they be denied being able to go see that?
It doesn’t have to be destructive. I do agree, we all do, I think, all
the ranchers I’ve ever talked to, that the motorized end of it needs to
be controlled and monitored, but so does people-use. One of the areas
that they are looking at (in Simpson’s wilderness package) is the Frog
Lake area up in the White Clouds. It’s beautiful. But even in the 20
years since I’ve been here, we went back up there a couple of years
ago, I couldn’t believe the change. It wasn’t from the motorcycles or
the ATVs or the cattle. It was people use, the impact there. That’s one
thing we’ve been concerned about, all of the discussion on changing
over just to recreation. That won’t be a total solution because if
that’s not managed, you will have the same problems you will have
without managing cattle, logging, mining or anything else. You can work
all of them together. We’ve tried to show different ways that you can
do and map out those kinds of areas, and show just how much country
there is up there that can be accessible to everybody.”
But Melodie Baker isn’t necessarily in favor of
proposed ranching buyout provisions that Simpson pulled from his bill
when opposition mounted in the early legislative hearings.
“People seem to think that if there is enough money
they will take it and run. People wouldn’t be here for six generations
if they were in it for the money. They love this country, and it’s part
of them. For most of them, it wouldn’t matter how much money you gave
them. They don’t want to leave. This is their home. My husband’s
family, my brother-in-law and his father, know every inch of this
country. The idea that they can’t go out of here in this country would
kill them. It’s not about the money. It’s about the land. We love it.
We care for it. We want to see it continue in same kind of operation,
the same way of life, and the style that it has always been. To me,
that’s what it is about. It’s not about money. It’s about the way we
should be raising our kids and everything. That’s what makes this place
so special.”
Sid Dowton speaks with a distinct western drawl from
beneath the brim of his black cowboy hat. He owns a spread just down
the road from Melodie and her husband, Wayne Baker. Dowton was born and
raised in the East Fork and graduated from Challis High School. He sees
an uncertain future for ranching there.
“I believe we either have to stabilize ranching or
sell conservation easements on our property. If we can’t do those two,
we have to subdivide. I’ve been in the ranching business all of my
life. I’ve put all of my life savings into ranching, and I’ve got (to)
retire. I’m getting 62 years old and can’t continue to do it. I would
like to stay in the ranching business. With the controversies with the
fish and the wolves and the recreation, it’s more difficult. I hope
that we can stay in the ranching industry. I hope that we could find a
balance so that we could get what everyone wants from this beautiful
country up here. But I don’t see that happening. Maybe with the
proposed wilderness up here, ranching will become that much harder. I
think that we have to maybe look at the conservation easements. If that
doesn’t come through and I can’t run my cattle up here, then I only
have one alternative: to break my property into small ranchettes,
subdivide. It has a big value to that. We are not far from the Ketchum
and Stanley basin area where property values are very high, and we
think we have everything to offer that they have.”
But he doesn’t want to see it subdivided. It’s a
place he’s known his whole life and to see it broken into trophy homes
or second homes would break his heart.
“I certainly wouldn’t,” he said. “I don’t think the
river would be the same or the game would be the same. We’re under a
lot of pressure, and trying to make a living today is pretty tough. I
have two children in my operation. Neither one of them are very
interested in trying to run cattle on public grazing. They can see the
handwriting on the wall. I think that my wife, Keren, and I are
committed to the land. We just hate to give up on it because of our
lifestyle. We may not win this battle. I really don’t think we will. I
hope we could.”
Solutions aren’t easy, and Dowton appears to have
thrown in his big black hat.
“I have been trying to work with the various
conservation groups for years, and trying to work with the SNRA people,
government people. (There) are too many driving forces to eliminate
ranching on the East Fork, and maybe even eliminate ranching here in
the West. It’s highly public ground here in the West. People think that
with public ground, public ownership, they all have a piece of the
action. They all have a say what should happen, and I don’t have
anything against that. I just don’t see a way that we’re going to solve
all of the issues that are on the table and for me to stay in the cow
business and run out here on public lands.”
No, destroying hope entirely doesn't make sense. Life is long, and
anything can happen. But somehow it is still living within me, and I
have to rid myself of it. I have to hope that hope will wither and
somehow fade. I have to hope that hope will not grow as long as there
is love to begin with. Because as hard as I've tried, hope lives on
inside me.
I delete all of the words from my life, her words for me, and the
manuscript I began for us. One after the other, I delete the chapters
and stories until I encounter the story titled "Power of a River." It
is Marie's tale, the story of how she'd been hiking with her husband in
Colorado's Collegiate Peaks and how she'd likened life to climbing a
mountain. The story doesn't have a direct bearing on Araxie and me.
In fact, the seed of it germinated long before I met her. But its
meaning is poignant and as true in any life situation as it had been
for the two of us.
Life is like climbing a mountain, one step in front of the other with
faith in our hearts that there is a summit up there somewhere. And
water does carve stone, the
same massive monoliths that draw down snows, which feed the river to
begin with. And, yes, rivers do eventually flow away from the mountains
they carve.
It is, after all, who we were. I was Aaron, the mountain that
refreshed
her flow. She was Araxie, the river that inspired
poetic vision.
Power of a river indeed.
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